Sticking with The Times, which was the source of most of your nominations over the past week — Margaret Lyons perfectly described the main character of the messy but mesmerizing “Baby Reindeer,” a new Netflix series about an aspiring stand-up comedian and his stalker: “Donny recognizes and articulates the dangers of wanting fame, how it warps his judgment but also could solve his problems. (One person knowing your darkest secret is unbearable, but a million people knowing it is stardom.) Agony and attention are bound together here — Look at me! No, not like that! — twin snakes choking the life out of their prey.” (Linda Trocki, La Quinta, Calif., and Stephen Ranger, Toronto)
And Maggie Haberman and Jonah E. Bromwich used a wide-angle lens to look at Trump’s current criminal trial. “Eventually, the case could threaten not only Mr. Trump’s freedom but also the central tenets of a lifelong ethos ever-present in the former president’s patter: a convenient disregard for the truth, the blunt denial of anything damaging and a stubborn insistence that his adversaries are always acting in bad faith,” they wrote. (Cynthia Croasdaile, Portland, Ore., and Veronica Stinson, Halifax, Nova Scotia, among others)
In The Atlantic, Thomas Chatterton Williams rued the “impersonal, tech-saturated” sameness of a new generation of cars: “Could a child ever dream about a Lucid or Rivian? These are generically good-looking, low-emissions vehicles that only a cyborg could lust over. They are songs sung through Auto-Tune, with clever and forgettable lyrics composed by ChatGPT.” (Marjorie Ivey, St. Louis)
In The Guardian, Ryan Busse pivoted from Kristi Noem to another Republican governor with animals in his sights, Greg Gianforte of Montana: “In 2021, Gianforte illegally shot and killed a collared Yellowstone wolf that had its leg caught in a steel-jawed trap. He wanted to stuff the wolf and display it in his office — presumably without its radio collar, which would have dampened the effect he was going for.” (Kurt Griffin, Sioux Falls, S.D.)
To return to The Washington Post — Michael Dirda’s review of Anne Curzan’s “Says Who? A Kinder, Funner Usage Guide for Everyone Who Cares About Words” included this rumination on writing: “Effective prose, in truth, doesn’t resemble conversation. It’s more like sculpting with clay. You start with an inchoate mass, shape it a bit, hate the result, start over, try this, try that, give up, slink away in disgust, come back, work some more and eventually end up with something that looks vaguely like a pot or an essay.” (James Martin Thompson, Washington)